![]() Like many aspects of “The Lost Flowers of Alice Hart,” Alice and Dylan’s courtship could be an entire show, but it’s crammed into half of one.Īs with many adaptations, the series is too literal a translation of its source, lacking the adjustment required to fit its new medium. But while the cyclical nature of abuse is a worthwhile theme, it requires time to illustrate with subtlety and without resorting to caricature. There, Alice meets Dylan (Sebastián Zurita), a colleague who starts to resemble her father in disturbing ways as they fall in love. After a fight with June, Alice leaves home and gets a job as a ranger at a national park with natural beauty Ivin captures in all its grandeur. ![]() Such structural issues undermine the material that’s meant to be the crux of the show. The lead-up to and immediate aftermath of the Hart fire start to drag, while key moments in Alice’s life lack room to breathe - or bloom, if we’re sticking to the flower metaphor. ![]() That Alice’s first love is an undocumented immigrant is both abruptly announced and only used to set up the couple’s tragic split. In between, we learn Alice had a romance with a childhood friend, a formative bond we only watch unfold in flashback. Similarly, the show spends several episodes on Alice’s adjustment to Thornfield, then flashes forward to her life as an adult. This dynamic is moving enough on its own, but “The Lost Flowers of Alice Hart” heaps on a series of unnecessary revelations about Sally’s romantic past and relationship with Alice’s parents, some of which come out of left field and with no basis in what we see onscreen. But the show too often heightens itself into melodrama, the opposite of the realism and sensitivity called for by its subject matter.īefore the fire, Alice is an avid reader who earns the affection of Sally (Asher Keddie), a local librarian mourning the loss of her own daughter at around Alice’s age. “The Lost Flowers of Alice Hart” wants to shed light on the lived experience of gendered abuse, and in that attempt, showrunner Sarah Lambert and director Glendyn Ivin employ some powerful imagery and performances. Combined with an awkward pace that lingers far too long on some story beats while skipping over others entirely, the effect is counterproductive. Just as flowers can be plants, people or an entire language unto themselves, the limited series from Amazon Prime Video overcrowds its seven episodes with subplots and twists that obscure its deeper resonance. Adapted from Holly Ringland’s novel of the same name, “The Lost Flowers of Alice Hart” packs a great deal - too much, perhaps - into a single concept.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |